Wednesday, September 29, 2010

nicolas andreas taralis

photos courtesy of dazeddigital

Inspired by youth/street cults, Old European and Far Eastern tribes, and bleak, black explorations, Nicolas Andreas Taralis (back in action for a second season after a quick stint at Cerruti in 2007) presented an industrial, moody collection that has me psyched for the rest of Paris.

The larger part of me hopes Taralis will hone his aesthetic and make his own, unique statement; I love black as much as the next girl, but fashion's gothic leftfield is overcrowded as is: Rick Owens, Ann Demeulemeester (whose name practically SCREAMED at me through this entire presentation), 90's Yohji Yamamoto...he's absurdly talented, and he has a knack for hand tailoring (as he should, considering he studied under Helmut Lang), and he deserves to have his own name in (stark, washed-out white) lights.

Traditional garments came undone with low, V-shaped open backs, square mesh jigsaw panels, rips at the hips, and unraveling suspender straps; I fell in love with a pair of carrot pants in a patchwork of mesh and black silks, and his vaporous sheers and cut-out tops led to more literal forms of exposure. I'm also really into the distressed black fabrics dyed and bleached into a sort of industrial floral. I predict really, really good things from Taralis in the future.

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