Showing posts with label givenchy. Show all posts
Showing posts with label givenchy. Show all posts

Thursday, January 27, 2011

LOVE magazine, andrej pejic, fashion androgyny

I want to talk about Givenchy couture, but at the same time, I really don't. While the dresses were beautiful, the detailing exquisite (next time I have a gala to go to where nipples are allowed, I'll take this please and thank you), and the inspiration seemingly sincere--Kazuo Ohno and Butoh dancing (used to pretty great effect in this Einstürzende Neubauten clip, incidentally) via Antony Hegarty--the casting had the same sweeping generalization, gimmicky vibe that Vogue's Asia Major editorial had. The last word: Gita has shown me the parallels between this collection and Gurren Lagann. Quote: "Givenchy’s is the couture collection that will pierce through the heavens!"



But now, I guess what's stuck out for me most this couture season--or, to be frank, what's been reblogged on my Tumblr dashboard the most--is this look from Jean Paul Gaultier's collection:


Which comes on the heels of these equally popular shots from menswear:



Time to cover my ass: I quite like Andrej Pejic. He's gorgeous, there's no denying that, and heaven knows I'm not faulting him for a bit of designer dress-up. I remember reading a fairly old interview with him on the Fashion Spot where he said his favorite things were '80s New Romantics, his hero is Boy George, and he likes a whole lot of Dead or Alive. He's a modern Blitz kid, and anyone who leaves me with visions of Steve Strange and super-early Duran Duran dancing in my head is a keeper in my book. This isn't the first time ultra-feminine (I hesitate to say androgynous, more on that later) male models have tottered down the runway in dresses and heels: Martin Cohn, most recently. Same goes for the reverse: Omahyra, most obviously, and Kristen McMenamy...in fact, most of the grunge girls.

I also really, really dig JPG's punky couture collection--which is nice, since he's been kind of underwhelming lately. And I also like JPG as a dude and as a model caster (is there a CD for his shows?). His runways are full of some of the most diverse faces and bodies in the business, so I trust that he's not hopping aboard the bandwagon. It's just beginning to feel a lot like fetishization for me. OBSERVE:


Let's play some convoluted thought hopscotch. LOVE Magazine's Androgyny Issue, hitting newsstands February 7 (though I imagine it'll come to the US by March or something). I'm going to withhold judgment until I see the issue, or at least a list of contents, photographers, models, etc. So first, Cover 1 with Kate Moss and Lea T. I'm extraordinarily happy to see Lea getting more editorial work, hopefully beyond her just wearing Givenchy; here's also hoping, in the unicorns-and-rainbows sense, that her success doesn't rely on her being qualified as a transgender model for much longer--just let her be a good model. Good on the Pulp-inspired tagline too. So why does it leave me cold? Yeah, you can say that casting a transgendered model in the nude, decidedly more feminine and vulnerable role is food for thought, but the concept isn't executed to full effect. Kate, sporting a greasy pompadour and a "this is butch, right?" leather number probably on holdover from a Freja shoot, actually kind of looks uncomfortable (this might speak to her limited, though enduring, range as a model).

I don't have much to say about Bieber's cover other than...I kind of feel bad for the poor kid. He looks 12 and he has a daft haircut, to be sure, and his fans are apparently fucking terrifying, but it's a bit mean-spirited, yeah? It feels unnecessarily nasty to be poking fun at a 16-year-old for his girly looks (some even going so far as to question his gender or sexuality), looking like a lesbian or vice versa. Does he understand all the gendered hate he gets? Thing is, LOVE's Katie Grand is a pretty shrewd marketer. Now that Carine Roitfeld's gone, she's one of the industry's most knowing shock-mongers, provocation for provocation's sake. Again, I won't judge until I see what's inside, but given LOVE's track record, I kind of expect a whole lot of sharp-jawed girls in suits eventually showing off their tits.

Which kind of brings me back to Andrej. Why does he stand out as a symptom of fashion's androgyny disease to me and not, say, Jana K's awesome haircut or the fact that for a while, Freja couldn't take a god damn photo without being suited up, greased out, and eventually totally nude? Is it because I find something attractive about those gals and thus turn a blind eye? It gets me angry, but for other reasons. Fashion's androgyny is not about gender expression, ambiguous features, or what have you--it's body politics at play again. I mentioned it as the one thing that grates about designers like Rad Hourani, and Meg pretty much caught on it in a comment from the LAST time I did a post like this, and it remains convoluted and not fully thought out, justified, or explained. Androgyny defaults to ectomorphic, long, lean silhouettes. 20-something female models are made to look like 17-year-old boys by the nature of the business; we go crazy when a 22-year-old woman has hips and breasts, but the capital-W Women and the androgynes are sexualized as women all the same. When male models look like capital-M Men, or they're a little older, they've got build and a bit of facial hair, we breathe a sigh of relief and herald a new age of masculinity; 17-year-old boys who look like 17-year-old boys who are a bit awkward, perhaps a bit more feminine, kind of freak us out and call to mind fashion's obsession with androgyny. But then again, they're sexualized for their youth (HEDI SLIMANE'S ENTIRE CAREER DIOR HOMME AND BEYOND), and that's not great either. And if androgyny goes beyond that prepubescent, slim-hipped mold, we turn our noses in disgust. See Fashion Spot commenters being grossed out by an image of Leigh Bowery nude on Acne Paper's cover.

So then we put the young boy in women's clothes and freak out once again. So Andrej Pejic is being sexualized--or worse, fetishized--as a woman. He's doing it willingly because he enjoys it, but I guess I just hope that the kid has a career once the modeling industry defaults back to prepubescents. Because if my favorite Vogue Turkey editorial and its impeccable styling prove anything, he's got a damn beautiful face and longevity under the Veronica Lake waves.

Wednesday, July 7, 2010

my haircut 100, givenchy, and the greatest shoes i've ever seen (today)



First, big, gratuitous photo-op thumbs up to Jamie Lynn at Birds and Fellas, who beat the heat and my own delirium yesterday to give me a kick-ass haircut. Say goodbye to my thick ol' Liza mess. Seriously, if she can interpret my vague hair desires (such as "I want to dye it black...but...y'know, not black.") this well, she's a godsend. Taking the 'do out for a spin tonight.

Secondly, couture week is here. Really, there are only two designers I look out for every year, and that's Jean Paul Gaultier and Givenchy. John Galliano at Dior is always going to do the same damn makeup (though his floral gowns were exquisite) and Karl Lagerfeld's gonna bring in some opulent behemoth, like an iceberg or some golden lions or shit. JPG this year--although his casting is some of the best in the business, an amazing variety--was so classic JPG that it turned out a bit predictable and tame. Where's the crazy Mexican inspiration from the last show?! So let's move on to the always amazing Riccardo Tisci at Givenchy.




Exquisite. My heart was broken late last month when Tisci announced he would no longer be doing couture runway shows. Then I very quickly realized that this doesn't matter one bit, since 1. I'm not going to couture season any time soon, and 2. he would still be doing presentations, and I would still be able to swoon over photos. I'm so captivated by his work at Givenchy, he's always the man to beat--the unbelievable psychedelia of Spring 2010 RTW (THOSE SHOES THAT BLAZER), the bizarre, almost erotic Renato Zero-inspired jumpsuits of his last couture show...he's man of incredible detail and concept.




A bit of Frida Kahlo and a whole lot of skeleton, Tisci created ten impossibly dreamy looks--impeccable detail in heavy beading, stone work, giant gold belts, feathers, lace made up a collection that was ethereally feminine with a little toughness (Givenchy's signature). It's romantic, and I'm ooh-ing over every detail shot.

Speaking of incomprehensible gasping:


These unbelievable, gravity-defying stalactite shoes are concept wedges from Helen Furber's Icica line. As usual, I want what I can't have--they're part of a project, sponsored by Y-3, Studio Van der Graaf and Natureally Organic Leather, challenging the traditional footwear product life-cycle. See how they're made here.